
Torrione INA, Brescia, IT

Torrione INA, Brescia, IT

Torrione INA, Brescia, IT

Torrione INA, Brescia, IT

Torrione INA, Brescia, IT

Torrione INA, Brescia, IT

Torrione INA, Brescia, IT



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Exhibition Views
Paris Internationale, Paris FR
October 19th- 23rd, 2022

Exhibition Views
Paris Internationale, Paris FR
October 19th- 23rd, 2022

Exhibition Views
Paris Internationale, Paris FR
October 19th- 23rd, 2022

Exhibition Views
Paris Internationale, Paris FR
October 19th- 23rd, 2022

Exhibition Views
Paris Internationale, Paris FR
October 19th- 23rd, 2022

Exhibition Views
Paris Internationale, Paris FR
October 19th- 23rd, 2022

White Noise II, 2022
Engraved onyx
18 x 49 x 46 cm
7 1/8 x 19 1/4 x 18 1/8 in

White Noise, 2022
Engraved onyx
29 x 38 x 41 cm
11 3/8 x 15 x 16 1/8 in

White Noise V, 2022
Engraved onyx
16 x 25 x 9 cm
6 1/4 x 9 7/8 x 3 1/2 in

White Noise VI, 2022
Engraved onyx
11 x 30 x 12 cm
4 3/8 x 11 3/4 x 4 3/4 in

White Noise III, 2022
Engraved onyx

White Noise IV, 2022
Engraved onyx

La Soufriere, 2022
Photo print – Edition of 3
40 x 30 cm
15 3/4 x 11 3/4 in

Untitled, 2021
Oil paint on paper
200 x 75 cm
78 3/4 x 29 1/2 in

Parallel lines meet at the point of infinity II, 2022
borosilicate glass rods
180 x 5 x 5 cm
70 7/8 x 2 x 2 in

Untitled, 2019

IPD 1 8E – R, 2022
280 kilos of coco nuciferia oil, water, sodium hydroxyde, potassium hydroxide, charcoal
120 x 60 x 45 cm
47 1/4 x 23 5/8 x 17 3/4 in

98.2% Bronze, 2019
Pulverized metal drawing metal frame
32 x 25 cm
12 5/8 x 9 7/8 in

Saliva, 2013
320 kilos of coco nuciferia oil, water, sodium hydroxyde, potassium hydroxide, copper
183 x 45 x 90 cm
72 1/8 x 17 3/4 x 35 3/8 in
White Noise, 2022
Press Release
White Noise, 2022
Exhibition Program

Parallel Lines Meet At The Point Of Infinity
Apalazzo Gallery, Brescia, IT
May 5th – September 14, 2019
View exhibition
Parallel Lines Meet At The Point Of Infinity
2019

Parallel Lines Meet At The Point Of Infinity
2019

Parallel Lines Meet At The Point Of Infinity
2019

Parallel Lines Meet At The Point Of Infinity
2019

Parallel Lines Meet At The Point Of Infinity
2019

Parallel Lines Meet At The Point Of Infinity
2019

Parallel Lines Meet At The Point Of Infinity
2019
Parallel Lines Meet At The Point Of Infinity, 2019
Press Release

Say it as it lays, 2018
Inox
250 x 312 cm (98.43 x 122.83 inches)

No House Music, 2018
Works on paper
21.5 x 27.8 cm (8.46 x 10.94 inches) (each)

Concrete as The Air, 2018
Copper
348 x 15 cm (137.01 x 5.91 inches) OS1018
Height is adjustable according to height under ceiling.

Untitled, Door, 2018
Devetrified glass
194.5 x 82.5 x 1.9 cm (76.57 x 32.48 x .75 inches)

Untitled, Window, 2018
Glass, metal
51.5 x 40 x 10 cm (20.28 x 15.75 x 3.94 inches)

The Son of Man, 2018
Glass, metal
51.1 x 43.9 x 1.8 cm (20.12 x 17.28 x .71 inches) (each)

No House Music
July 3 – 28, 2018
VNH Gallery, Paris
No House Music, 2018
Press Release

Seeing Things As They Are
Hauser & Wirth, Vieux Chalet, Gstaad, CH
February 9th, 2018
View installation
Like water, glass exists in both solid and liquid states. Both are fundamental to the architectures we take for granted. At the same time, in their most common form they are invisible. The architectural glass works on view here for the first time continue this exploration of visibility that began in Gstaad in 2014 during Elevation1049 with “All that is solid melts into air”, a piece that not coincidentally was first installed on a frozen lake and which now in it’s new iteration in 2018, is firmly grounded into the earth. Here a series of gilded profile poles demarcate the invisible form of a structure perhaps dreamt of but never built. With these new works “Untitled, Window”, “Untitled, Door” and “Untitled, Six Windows” Scarry also diagrams possibility while at the same time withholding the very point of view that such possibility commonly provides. The thing that we typically look through, we are here asked to look at. Ultimately, suggesting that how we perceive our notion of the world into concrete structures, both literally and figuratively, may be in constant flux. A glass door, is made from the shards of windows that originally belonged to a building that aspired to be NY’s tallest but never was. Leaned against the wall it opens not onto the dreams of others, but onto itself. The glass works were produced in collaboration with Urs Rickenbach who also produced Sigmar Polke’s windows for the Grossmunster Cathedral in Zurich in 2009, which inspired Scarry’s “The Son Of Man” an abstracted Rorschach diptych glass work . Each of these works is the result of the masterful alchemy of transformation. Hence, Scarry’s decision to borrow from one of Polke’s paintings, the title for her show at Hauser & Wirth’s Vieux Chalet in Gstaad “Seeing Things As They Are” . Each exists on the balance point between the visible universe and the unknown landscape that lies behind.
-by Neville Wakefield
All That Is Solid Melts Into Air 2018
4 profile poles x 11 meters
Variable dimensions
Aluminum, gold

Untitled, Door, 2018
Devitrified glass
194.5 x 82.5 x 1.9 cm (76.57 x 32.48 x .75 inches)


Eleven/Eleven 2017 is a permanent site specific geometric abstract glass painting commissioned by Eleven Madison Park, in NYC, voted the Best Restaurant in the World 2017.

Before Demolition

Production of glass windows at Glas-Maeder in Zurich

Working with Urs Rickenbach, responsible for realizing Sigmar Polke’s windows at The Grossmunster in Zurich

Formulas for each individual window

Glass powders

OLYMPIA SCARRY/ELEVEN MADISON PARK/ELEVEN/ELEVEN 2017
DOSSIER
























Time Will Tell I, 2020
Crystal glass, copper
Dimensions 16 kilos x 55 cm x 35 cm
Unique piece

Time Will Tell II, 2020
Crystal glass, copper
Dimensions 18 kilos x 40 cm x 35 cm
Unique piece

Time Will Tell III, 2020
Crystal glass, copper
Dimensions 12 kilos x 32 cm x 27 cm
Unique piece

43,721 ft / -23F
Color C Prints, Aircraft window size
2019

32,001.7 ft / -45F
Color C Prints, Aircraft window size
2019

3,721 ft / -23F
Color C Prints, Aircraft window size
2019

4,302 ft / -37F
Color C Prints, Aircraft window size
2019

28,000 ft / -44F
Color C Prints, Aircraft window size
2019

50,007 ft / -39F
Color C Prints, Aircraft window size
2019

Guest curation
L’Officiel Art
2019

Saliva
500 pounds of fat, saliva, palm oil, water, lye, copper
120 cm x 60 cm x 180 cm
2013


Self-Graph
Ink on polygraph paper, marble frame
2 meter x 27 cm x 6 cm x 4 cm
2015

Black Hand
Wax, copper
Artists Dimensions
2012

The Bubble Wrap Painting
Pink Onyx from Iran
45 cm x 35 cm x 5 cm
2014

Bubble Pink Rubber
Rubber
45 cm x 35 cm x 5 cm

Bubble Pink Rubber
Rubber
45 cm x 35 cm x 5 cm

The White Feather Room
500 Kilos of feathers, 10 fluorescents
2012